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Posts Tagged ‘Writing’

7 things authors can learn from watching the Oscars

Perhaps you were one of the tens of millions who tuned in to watch Hollywood’s biggest night — the 84th Annual Academy Awards. Oscar parties aren’t just for the Hollywood elite; some average folks do it up big, with red carpet events, replete with voting and awards for most correct guesses. Whether you attended a private Oscar gala or watched from the comfort of your couch in an old pair of sweats, Savvy Book Marketers can take a few lessons from watching the Academy Awards.

  1. There’s no accounting for taste. My father used to repeat this phrase again and again, usually with the not-so-thinly veiled intention of letting me know he didn’t like what I was wearing, reading, writing, watching, etc. Well, I saw five of the nine films nominated for Best Picture and liked two of them, but even those didn’t seem strong enough to receive Best Picture nods. So it’s true. There is no accounting for why one person loves a movie  or a book  and another hates it. That’s great news for authors, because it means there’s probably an audience for your book somewhere. If you’re writing a business book, it might help to know what the audience wants first. If you’re writing fiction, you may have to go out and find your audience. Either way, your audience is out there waiting for you to connect with them.
  2. The best nominee doesn’t always win. A friend of mine feels Viola Davis was robbed last night. That’s not mine to say. Sometimes, the Academy coalesces around an actor you don’t think deserves to win. The same can be true of books. Ever wonder why a certain middling writer becomes popular? (A) They’re in the right place at the right time. (B) It’s who they know. (C) A little luck goes a long way. (D) All of the above. Create your own luck by leveraging all or your resources to position yourself to your own best advantage.
  3. You’re never too old. With nearly 200 acting credits to his name  some of them truly outstanding performances  one would have thought Christopher Plummer might have won an Oscar before now. Not only did it take till this year for him to earn the honor of oldest Oscar winner ever at age 82, but he was not even nominated until 2009. If you’ve been telling yourself you can’t write this book because you’re too old, throw that excuse out the window. Age is just a number, and it has no impact on your ability to write, publish, market, and sell a great book.
  4. Don’t do it for the glory. With 17 Oscar nominations, Meryl Streep was lauded last night as the actor with the most nominations of all time. Yet it was 30 years between last night’s win for her role in The Iron Lady and her prior win for Sophie’s Choice. But who would argue that she has made anything but amazing films in those last 30 years? While it may be true that it’s just an honor to be nominated, had she been motivated by the glory alone, she might have given up a long time ago. If you write with passion, your audience will feel that passion and connect with you much better than if you write for the paycheck or the glory.
  5. Make it long enough, but no longer. Did you notice that the awards program ended at 9:38 last night? Yes, they’ve shortened things up a bit by having one presenter hand out multiple awards, but this show felt uncharacteristically short. Additionally, I saw only one winner go over time with their acceptance speech. One of the first questions new authors often ask me is “How long should my book be?” Like the Academy Awards, it should be long enough, but no longer. Of course, if it’s 50 pages, it’s more like a booklet than a book, but there’s a new trend toward short works, so that may be a good thing. Write long enough to thoroughly cover your topic  then stop.
  6. Hire an entertaining host for your event. What would the Oscars be without the host? A circus with no ringmaster, essentially. But as we saw last year, the experience and skill of the host makes a big difference. Fame and beauty aren’t enough to carry the job. Having a host for your book launch event enables you to be fully present without worrying over all the details. You’re there to read, talk, answer questions, and sign books. You don’t have to greet the guests, serve the food, coordinate the seating, or bother about any of those details. Whether it’s one helper or a team, get others involved in your book launch.
  7. Rehearse your speech ahead of time. After watching about a half-dozen people fumble through their acceptance speeches, my husband turned to me and asked, “If you knew you were nominated, wouldn’t you prepare a few words, just in case you won?” Yes. Yes I would. And authors, you never know who you’re going to  meet, so make sure you’ve rehearsed a brief description of your book well enough that when the time comes, you can say it without fumbling or going on and on till the other person walks away out of boredom. Rehearse your book pitch till it rolls off your tongue fluidly!

Happy movie watching!

Laura

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We welcome and encourage your thoughtful, courteous comments below.

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Visit the Write | Market | Design Facebook page to meet other authors and aspiring authors who have a sincere interest in writing, publishing, and selling the best books they can. And if you need a self-publishing consultant in your corner for anything from advice on structure to developing a marketing strategy, drop us a note at MarcieBrock@WriteMarketDesign.com or give us a call at 602.518.5376!

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Finding the silver lining in used book sales

The idea of reselling used books is understandably troublesome for some authors. You work hard on your book and take it to market with the goal of getting it into as many hands as possible, but you want individuals to purchase new copies – legally. You copyright your book to protect it from theft. And then, in spite of all your best efforts, you see used copies on Amazon, in thrift shops, on the shelves at used bookstores. Even books in libraries offer multiple readings of one book, rather than each reader making a separate purchase.

One way to view these resold books is with gratitude that more people are reading your book and hearing your message. The reselling of books gives them new life. I’d sure rather my book went to a new person than languishing in the back corner of the original buyer’s bookshelf or, worse, winding up in a landfill somewhere. I always think back to Seth Godin’s admonition that an author must give away 5,000 books before their book will ever really take off.

Another way to view the sharing of books is by making a comparison to radio. Have you ever listened to a song on the radio and then gone out and bought the album, cassette, CD, or MP3? Of course you have – that’s why artists put their music on terrestrial and Internet radio. It’s not out of the generosity of their hearts – it’s for the exposure.

In my experience, buying secondhand books is not much different. For one thing, I often am introduced to books through used sources that I would never otherwise have known about or thought to buy. Secondly, with the introduction to these unfamiliar authors, on more than one occasion, I have sought out – and purchased – new copies of these authors’ other works.

Whether you view reselling as a blessing or a curse is totally up to you.

For those who appreciate a good used book sale, one of the biggest in the country is coming up this weekend in Phoenix. The VNSA Charity Book Sale will hold its 56th event at the Arizona State Fairgrounds in Phoenix. Bibliophiles from all over the country visit this sale – and it even has international patrons!

All books are donated by the public, and the sale is run entirely by an incredibly well-organized staff of volunteers. I just learned that VNSA does not carry books over from one year’s sale to the next, with the exception of specific rare books. Leftover books are sold or donated to nonprofit groups who make arrangements with VNSA months in advance of the sale.

This marks the 25th year with the Arizona Friends of Foster Children Foundation and Literacy Volunteers of Maricopa County as the sale’s beneficiaries. Since its inception in 1957, VNSA has donated more than $6 million to nonprofit human service agencies in the Phoenix area. Kudos to them!

Hours of the 2012 sale are: Saturday, Feb 11, 8 a.m.–6 p.m. and Sunday, Feb 12, 8 a.m.–4 p.m. Shipping is available both days, and admission is free, although the fairground charges a fee for parking.

Categories for this year’s sale include:

  • DVDs/Videos
  • Biography
  • Business/Career Planning
  • Children’s
  • Classics
  • Computers
  • Cookbooks
  • Dictionaries
  • Fiction
  • Fine Arts
  • Foreign Language
  • Health & Fitness
  • History/War/Politics
  • House & Garden/Crafts & Hobbies
  • Humor
  • Large Print/Books on Tape
  • Paperbacks
  • Rare and Unusual
  • Relationships/Self Help/Ethnic Studies
  • Religion & Philosophy
  • Science and Nature
  • Sets
  • Sports/Transportation
  • Suspense/Science Fiction
  • Text
  • Travel
  • Treasures
  • The West

Maybe I’ll see you at the sale!

Laura

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We welcome and encourage your thoughtful, courteous comments below.

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Visit the Write | Market | Design Facebook page to meet other authors and aspiring authors who have a sincere interest in writing, publishing, and selling the best books they can. And if you need a self-publishing consultant in your corner for anything from advice on structure to developing a marketing strategy, drop us a note at MarcieBrock@WriteMarketDesign.com or give us a call at 602.518.5376!

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Top 10 lessons authors can take from watching the Super Bowl

This post originally ran on my other blog on Friday, February 4, 2011.

Yup, it’s that time of year again — the pinnacle of American sports fandom. I heard the other day that we will spend $1.84 MILLION on potato chips for this year’s Super Bowl parties. Interestingly, many literary types tend not to be sports types. Nevertheless, there are a number of things Savvy Book Marketers can learn from watching the top two NFL teams in action. Here are my Top 10:

  1. It takes guts and conditioning to make it to the top. No elite athlete makes it to the top of their game by accident. They train, practice, and commit themselves to success. How committed are YOU to seeing your book succeed?
  2. The best team doesn’t always win. Sometimes, a lesser team has a good game, and the team you think should win doesn’t win. This is true of books, too. Ever wonder why a bad writer becomes popular? (A) They’re in the right place at the right time. (B) It’s who they know. (C) A little luck goes a long way. (D) All of the above. Leverage everything you can to position yourself to your own best advantage.
  3. Good coaching matters. Almost without exception, winning teams have good coaches. As an author, you can do the same. Surround yourself with a writing coach, editor, designer, and others who will help you elevate your work to become as good as it can be.
  4. Getting on the field and making it to the endzone … two entirely different things. An author understandably heaves a giant sigh of relief on finishing their manuscript, especially if they’ve been working on it for years. However, finishing the writing is just the FIRST step in publishing your book. You will only make it to the end zone of strong sales with a well-crafted plan for editing, design, and — most importantly — marketing!
  5. Sometimes you have to take a risk. On the field, a risk could be a Hail Mary pass or running instead of punting on the one-yard line. As an author, it could mean taking a controversial stand, approaching someone famous for a blurb, or making a substantial investment in a marketing campaign. Be strategic, but remember that sometimes the biggest risk is rewarded with the biggest payoff.
  6. When you fall down, get up quickly. Things don’t always go according to plan. Sometimes you hire an unskilled editor, your designer quits before they’ve finished your cover, your blog languishes, or the book itself flops in spite of your best efforts. You have two choices. Are you going to stew, look for someone to blame, and fall into a depression, or are you going to get up and write your next book ASAP?
  7. Rabid fans help enormously. Whether you’re a G-Man or proficient at Gronking, you’re ready to root on your favorite team. A successful author can appreciate the fact that the fans’ energy has an immensely positive effect on the players. If your book is almost done but you don’t have a screaming fan base yet, it’s time to start building it!
  8. Get creative with your advertising. So many people watch the Big Game for the ads that betting parlors have begun taking odds so we can call our favorites. As an author, pay special attention to the Super Bowl ads this year. What about them is captivating? What makes them work? And where might you mimic their success, if even in a small way?
  9. Throw a big party! When you’re ready to launch your book, don’t let it slip quietly into the world — THROW A BIG PARTY and invite everyone you know! Create professionally printed invitations. Send media releases. Print flyers and postcards. Enlist your social media friends and fans to help you get the word out. Hold the event at a venue that will provide (or allow you to cater) food and spread out to sign lots of books.
  10. The whole world is watching you. OK, maybe not the whole world. But significant parts of your world. With a book launch, you’re going public. So be ready to meet the public by speaking fluidly and intelligently about your book, having a good team out there promoting it for you, and being as prepared as possible to make as big a splash as you can.

Happy Super Bowl Sunday!

Laura

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We welcome and encourage your thoughtful, courteous comments below.

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Visit the Write | Market | Design Facebook page to meet other authors and aspiring authors who have a sincere interest in writing, publishing, and selling the best books they can. And if you need a self-publishing consultant in your corner for anything from advice on structure to developing a marketing strategy, drop us a note at MarcieBrock@WriteMarketDesign.com or give us a call at 602.518.5376!

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WRITING: Perhaps the most accessible art. So what’s your excuse?

When I was single, I always wanted to date a musician. I suppose I romanticized the idea – ever dreaming of having a man write a song for me and serenade me on my birthday. Some dreams come true. My husband is a guitarist who was in a moderately successful band called Dryspell in the early 90s. Evidently, active musicians aren’t the most reliable romantic partners. John tells me I should be glad I didn’t know him when he was in Dryspell, as his whole focus was the band. Girlfriends got part-time attention, if that. He still plays once in a while, although my serenade appears to be lost somewhere on his to-do list.

I, on the other hand, know next to nothing about music. I don’t read music or play any instruments, but I know what I like and I’m able, in general terms, to explain why. John and I have different tastes, too. UK artists like Sting and U2 are my favorites, while he loves the craggy voice of the Boss. One thing we both enjoy is watching the singing competition shows: American Idol, X Factor, and The Sing-Off. So far, we’ve pretty much coalesced around the same contestants, so perhaps our tastes are more similar than different.

One night, I was singing with the radio, and John had the strangest look on his face. “What?” I asked. “Are you saying I don’t sing well?”

As diplomatically as possible, he asked me, “Do you think you’re a good singer?” We still laugh about that.

So the other night, as we were watching Idol, I had to ask, “Do these people really think they can sing? Seriously – what would you tell me if I told you I wanted to audition for American Idol?”

“I might suggest you practice a little?” he asked with a shrug.

The thing I took away from this exchange is that all of the arts are not equal. I’ve often mused about the art of writing, in that it’s the art that seems most accessible to the widest number of people. Take singing, dancing, playing the piano, painting, sculpting … or even the art of throwing a 99-mile-an-hour fastball. None of those is, for most non-artists, a day-to-day activity.

Writing, on the other hand, is something most of us do, to even a marginal degree, almost every day. We text. We send emails. We write grocery lists and notes to our kids. Writing  in some capacity is, for most people, a function of daily life.

This is not to demean writing as an art. Few would argue that Poe’s poetry, Flagg’s fiction, or Simon’s stage plays qualify as anything other than art. Those possessing the gift of word magic obviously stand apart from the rest of us who blog and Tweet every day. On the whole, however, writing is an accessible art, in that almost anyone – provided they have a clear message to share or a story to tell – can create a book, because good editing can work miracles. No, it can’t make diamonds out of dirt, but in general, it’s the concept that becomes the book. For those poor, off-key souls auditioning in front of the whole world, on the other hand, no amount of editing, voice coaching – even a decade of rehearsing – is likely to make them good enough to land a record deal.

On a weekly basis, I meet people who say, “I’ve been thinking about writing a book someday.” Most never do, but it’s not because they can’t. They may believe they can’t – but that’s just an excuse.

If you’ve been thinking about writing a book for a while now but have been buying into your excuses, I issue you a challenge: Hit YouTube and look up a couple of the weaker American Idol auditions. Then wish those folks hearty congratulations – because even though nothing will make them better singers, at least they had the courage to try.

Laura

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We welcome and encourage your thoughtful, courteous comments below.

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Visit the Write | Market | Design Facebook page to meet other authors and aspiring authors who have a sincere interest in writing, publishing, and selling the best books they can. And if you need a self-publishing consultant in your corner for anything from advice on structure to developing a marketing strategy, drop us a note at MarcieBrock@WriteMarketDesign.com or give us a call at 602.518.5376!

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Want to be attractive to the media? Include a MEDIA ROOM on your website!

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Now that we’ve discussed how to write a news release and what goes into a media kit, it’s time to build a room to house them. A media room is not an actual room, but the virtual space (usually on your website) where you aggregate all of the things that would be interesting and useful to any sort of journalist, blogger, or author who might be using your website to learn more about you. After your home page, this is the spot where you want your website to shine!

What kinds of things belong in your media room? High resolution photos, your bio, your book cover blurbs, reviews, links to any interviews you have done, and the like. Now don’t worry if you don’t really have all of those things collected. You’ve got to start somewhere, so begin with what you do have, and add the other items as the PR campaign for your book grows.

What are the benefits of a media room?

Rather than having to navigate all over your site, all of your media materials are collected into one space, making them easy for a reporter to find, and saving them precious time either looking or calling you.

A media room can also bolster your SEO, giving you a place to constantly update your site with relevant new content.

You can either host and manage this on your own site, or pay a third-party company like PR Newswire to do it for you. While a third-party site might be slightly more professional looking, you’ll have more immediate access and control if you (or your webmaster) do it yourself.

What should go into a good media room?

High Resolution Photos

  • A good head shot, first and foremost.
  • Preferably one of you by yourself (not holding Fido, a fishing reel, or at your laptop, unless your book is about dog training, fishing, or Internet marketing)
  • You want to be smiling (or with a pleasant look).
  • It should be against a neutral background (no nature shots).
  • Make sure your eyes are open – not tiny slits, as so much of your personality shines through your eyes.
  • Even if you HATE all your pictures, you need to get this picture taken, both for the book itself and for your media room. You needn’t hire a professional photographer, just someone who can capture a friendly shot, chest up or head only.
  • Your book cover (front and back)
  • Any other relevant images.
  • Make sure all of these photos are good quality and high resolution (300 dpi) so that they will reproduce well in print.

Your Media Kit

Granted, your media kit will contain a lot of what is included in the media room, but it will be a shorter version that you update less frequently.

Media Releases

Include PDFs of any media releases you (or your PR team) have written about your book, your launch parties and book signings, events you’ve attended, etc.

Videos

Include links to any videos you have created about your book, like your book trailer. Third-party videos, such as interviews, probably go in a different location within the media room.

Articles and Interviews

This is a collection of any third-party coverage you have received, including articles, radio and TV interviews, podcasts, online chats, etc. The easiest thing is to use links to the sites where they are hosted – but make sure to check periodically to be certain the links remain live. There’s nothing worse than having a reporter be interested in learning more, only to find your links don’t work.

Reviews

Much like the articles, this is a collection of reviews you have received – but you want to set them apart specifically as REVIEWs. Whether they were in print publications, online publications, blogs, or other places, include links to each of them, placing the most current at the top of the list.

Awards and Endorsements

This media room is your chance to toot your own horn – LOUDLY! Include all awards, endorsements, and acknowledgements that in any way further your establishment as a credible author. For instance, should you mention your award as Home Room Assistant of the Year at your child’s school? Absolutely – if your book is about parental involvement in their children’s education!

Catalogue Page/Listing

If you have a traditional publisher, chances are good that your book was included in their print or online catalogue. Include a PDF of the printed page that contains info about your book, or a link to the online version.

Bio and Credentials

Include a brief bio of yourself that you would want to see reprinted in an article. It should be short, but thorough enough to give a radio interviewer sufficient information to introduce you properly.

Schedule of Coming Events

If you’ve got readings, book signings, and or workshops booked, include a list of those in your media room.

Personal Contact Info

Make it easy for visitors to get in touch with you! Include your name, e-mail address, social media handles, business mailing address, and business phone number.

For a look at an author with a good start on a media room, please visit AmaraCharles.com.

MARCIE

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Please contact us if you’d like help putting together your media kit, media releases, or book proposal. Free 30-minute consultation when you mention this post ($99 value).

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We welcome and encourage your thoughtful, courteous comments below.

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If you’d like us to add a link to your writing/self-publishing/book marketing blog, please send us a note. If we think it’s a good fit, we’ll be happy to add you. Of course, we’d appreciate the reciprocity of the same!

Additionally, Marcie would be happy to make a guest appearance on your writing/self-publishing/book marketing blog. Just let us know the theme or your idea (preferably including a 6-panel concept), and we’ll see what we can draft for you.

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PREVIOUS POSTS

Thursday, September 15 – 10 creative alternate uses for media releases

Monday, September 12 – Get your MEDIA RELEASE to the right person in a timely fashion for a better chance of response

Thursday, September 8 A dynamic MEDIA KIT can help you land those coveted interviews

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How will YOU celebrate “Be Kind to Writers and Editors Month”?

September has been designated as “Be Kind to Writers and Editors Month.” Now, I fully realize that writing is a tool virtually everyone uses at one time or another, but this month is set aside to honor those who’ve chosen writing and editing as their careers. Is there a writer or editor in your life who could use a little thank you or acknowledgment?

Here are a few ways you can Be Kind to Editors and Writers this month:
  1. Send an ecard to thank, acknowledge, or congratulate them during their special month.
  2. Email your favorite writer or editor and wish them a great day.
  3. Make a special point to read and comment on a blog post or article they wrote.
  4. Offer to buy them a cuppa something at their favorite coffee house. Trust me they have a favorite!
  5. Mention your favorite writer or editor in your own blog.
  6. Have a favorite book, story, or article they’ve written? Share it on the Twitter, FB, LinkedIn, and/or G+.
  7. Follow, friend, or like your favorite writers and editors – and encourage others to do the same.
  8. Post a comment or tribute about your favorite writer or editor (with a link) in the comments section below.
  9. Tweet Happy Be Kind to Editors and Writers Month or write it on your FB wall.
  10. Share this post with your social media and/or mailing list!

Although almost everyone writes at some point, writing and editing are specialized skills. The best writers and editors have invested years of time and practice to hone their skills and develop their expertise. As glamorous as the idea of a multi-city book tour and a visit to the Letterman show can be, that’s not the experience of most professional writers (or editors). It can be lonely and thankless work.

Even if you are a writer or editor, make a colleague’s day reach out and send a love note. It may come back to you in unexpected ways!

Laura

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We welcome and encourage your thoughtful, courteous comments below.

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Two things you can do next: (1) Visit the Write | Market | Design Facebook page and “LIKE” it if you like it. (2) Visit Laura’s other blog.

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You an EXPERT? Leave the public domain works alone and write your own stuff.

OK this is just my opinion (as is most of what you’ll read on this blog), but I think co-opting public domain* materials to create your own books or info products is a cop-out.  It’s not illegal, but it is a lazy shortcut that shortchanges the reader, the person whom you, as a writer, want to be keeping at the forefront of your focus.

“Wow – those seem like fightin’ words, Laura!”

I suppose they do, because I am adamant about this. And here’s why:

I believe that whether we acknowledge it or not, we each have an area of expertise. It doesn’t have to be business related, but there’s probably something in your life that you do better than most people, even if it’s just taking the time to chat with Grandma and Great-Aunt Edna when they come to visit. If you’re writing a book you plan to sell, owning that expertise is crucial.

The question to ponder is: How did you develop your expertise? Perhaps you studied, read, researched, interviewed, and/or put in lots of hands-on time and effort developing this specialized knowledge. The fact is, now you have that knowledge, and that’s what people are paying you for.

By the time you get to the point where you are willing to commit to writing a book, I honestly feel that you should have enough experience, opinions, and knowledge to craft your OWN book. That’s not to say that you can’t and won’t use other experts’ knowledge as source material for your work, but in writing your book, you are publishing your thoughts, your opinions, your expert point of view.

On the other hand, reading a public domain book, rearranging a few words, and putting it forth as your own do not make you an expert. If you’re honest, you’ll admit that  this amounts to nothing more than a cheesy get-rich-quick scheme, and we all know where most of those wind up, don’t we? If making money is your only reason for writing a book, you might want to rethink that.

I encourage you: If you want to write a book, write a book. But put in the work, time, energy, effort, and money to become a REAL expert. Your readers will thank you, and it will pay off in your business.

Laura

* Here’s a great explanation of public domain and the accompanying questions of copyright.

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We welcome and encourage your thoughtful, courteous comments below.

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Two things you can do next: (1) Visit the Write | Market | Design Facebook page and “LIKE” it if you like it. (2) Visit Laura’s other blog.

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Poor spelling doesn’t equal inferior intelligence, but it does require a Plan B

After a recent conversation with a Facebook pal about her spelling challenges, I was reminded of this voicemail I received from a client a few years back:

Hi, Laura. It’s Elizabeth. I really hope I caught you in time. You know that article I sent you to edit? Don’t open it! I mean, I hope you didn’t look at it yet. I just reread it, and realized it’s terrible. I need to rework it. I’ll see what I can do with it later this afternoon, and send you my improved version tonight or tomorrow. Thanks.

Unfortunately, Elizabeth never sent me the revision.

Funny thing about writing: many people have absolutely ZERO confidence in their ability to do it. What they often fail to realize is that they are much more skilled than they give themselves credit for. And for those whose ability is less than stellar, that’s the whole reason editors have jobs, isn’t it?

What I’d like to convince my client, Elizabeth — and everyone else out there who feels similarly — is that there is absolutely nothing to be ashamed about with regard to their writing skills. No matter how bad the spelling or how egregious the grammar errors, none of that is representative of how smart she is; nor does it diminish the importance of the information she wants to share with her audience.

In a 2000 Suite101.com article, “What Does Your Spelling Say About You Behind Your Back?” Sandra Linville references Marilyn Vos Savant’s book, The Art of Spelling: The Madness and the Method. Vos Savant wrote her book after conducting a 1998 survey in her Parade Magazine column, in which she asked, “What does your spelling really say about you? Is spelling ability a measure of your education, intelligence, desire, or none of the above?”

In her article, Linville explains, “The survey garnered more than 42,000 responses, indicating that better organizational skills benefit spelling ability, rather than intelligence. However, Vos Savant realizes that inept spellers can look inept in other ways. A misspelled word can kill a job offer or result in a rejected proposal. She also states that an English-speaking perfect speller doesn’t exist.”

Corresponding with Vos Savant’s theory, it is widely reputed that Albert Einstein, the unquestionable genius physicist, was so bad at spelling that he was initially assumed to be retarded. In fact, according to the 1998 ScienceGoGo.com article, “Ten Obscure Factoids Concerning Albert Einstein,” Factoid #3 is:

He Was a Rotten Speller. Although he lived for many years in the United States and was fully bilingual, Einstein claimed never to be able to write in English because of “the treacherous spelling.” He never lost his distinctive German accent either, summed up by his catch-phrase “I vill a little t’ink.”

Some now purport that Einstein struggled with dyslexia, a learning disorder that impairs a person’s fluency or comprehension accuracy. However, this claim is only speculative. Nevertheless, spelling is only one of several serious difficulties facing people with dyslexia.

According to Dyslexia-Parent.com, there are four main challenges for a dyslexic person:

1. Spelling
2. Sentence punctuation
3. Handwriting
4. Sequencing ideas

In such a case, lack of intelligence clearly is not the issue for a challenged speller.

There is also the distinction to be made between poor cognitive spelling skills and never having learned to do it properly. As Philip Hensher writes in the UK’s The Independent:

Spelling may, in the end, not be a very reliable indicator of intelligence, and it is certainly possible to imagine very intelligent and articulate people who lack the skill. But society has agreed that it is significant, and there is no doubt that people, at some point in their lives, will be judged partly on the basis of whether they can spell or not. It is simply the job of education to teach that skill, and it is incredible to hear professional teachers sneering at the notion.

I fear that this attitude is not all that unusual, however. A couple of years ago, I agreed to teach a residential course for sixth-formers who were interested in becoming journalists. They were from a disadvantaged part of London, but I would say they were intrinsically bright and capable. I set some written work: it arrived: I held my head in horror. Not one of them was capable of writing 20 words without making a mistake in spelling, and sometimes an elementary one.

The point here is not that they lacked ability, but that their education had never impressed on them the importance of accuracy. It seemed perfectly plausible to them, and to their teachers, that native ability and enthusiasm would be enough to qualify them to write prose for a living. The idea that accuracy might be needed had literally never occurred to them.

One interesting yet seldom-mentioned fact is the converse of this idea that poor spelling is an indication of inferior intelligence, that is, good spelling is NOT necessarily an indication of intelligence. A person may have strong memorization and/or language skills without possessing comprehensive intelligence across all subjects.

Beyond spelling, another consideration is the fact that not all of us are inherently strong in verbal/linguistic skills. Renowned social scientist Howard Gardner developed a model known as multiple intelligences, meaning that although each of us has many ways in which we learn and perceive information, we generally have one primary area where we excel. The eight intelligences Gardner identified are: Verbal/Linguistic, Logical/Mathematical, Visual/Spatial, Intrapersonal, Interpersonal, Bodily/Kinesthetic, Musical/Rhythmic, and Naturalistic.

Although verbal and linguistic may be perceived as the most commonly emphasized of the eight intelligences, there are seven other skill sets at which a person may excel. Verbal/linguistic may be my personal strengths, but just ask my niece about my fiasco as a sub, teaching math to her 6th grade Montessori class.

What it comes down to is this: in business in particular, heighten and hone your natural skills and leverage them as far as you can – but HIRE OUT your weaknesses. Don’t worry that you don’t do it well as you hand over the project to your outsourcee – that’s why you’re hiring them!

My client who said she needed to rewrite her article before she sent it to me reminded me of those people who feel they have to clean their houses before the housekeeper arrives. That one also baffles me. Rather than focus on her imperfections, I wish she could celebrate her wisdom in reaching out for help. If we could all just get past our shame about our deficiencies and instead focus on the things we do well, life would be so much easier.

Laura

Originally posted on March 31, 2007 as “There’s No Shame in Being a Bad Speller/Poor Grammarian” on the blog Communication Made Easy, by Marcie Brock creator, Laura Orsini.

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